Wednesday, 21 April 2010

Media Evaluation


Media Evaluation
"Give them pleasure - the same pleasure they have when they wake up from a nightmare." - Alfred Hitchcock

1) In what way does you media product use, develop or challenge forms and conventions of real media products?

Research was very important in the development of our thriller production. A lot of time was spent watching and analysing thriller films to explore generic signifiers and to inspire us into using similar ideas in our own product. A lot of time was spent watching films such as Quentin Tarantino’s “Jackie Brown” and “Inglorious Bastards” to show us how certain shot types, lighting, costume and narrative structure could be used to produce a film that stood out and succeeded in generating thriller appeal. Particular interest was generated by the group after watching “Jackie Brown”. In “Jackie Brown” it was very clear of Tarantino’s intentional use of female empowerment through the behaviour and costume worn by Jackie. We decided upon further analysis to create a similar character to Jackie, one who would upset gender stereotyping and who would control the environment she was involved in. We decided to name her Grace Jones and later would name our film “A Fall from Grace”. We used this piece of word play in our title to send the message to the audience that Grace Jones was once an elegant and graceful woman but through her own ambition had developed into someone far more devious and mysterious. As well as taking inspiration from Jackie Brown in the development of one of our key characters, we also took inspiration from a particular shot found during the film itself. During an argument between “Ordell” and “Beaumont” Tarantino turns the camera into the depths of the car boot leaving us the audience with a mid shot of both characters. The shot (shown below), not only suggested Beaumont’s inevitable decent into darkness but also showed how a mid shot could be used in similar circumstances to generate mystery and suspense. Taking inspiration we developed the shot (also shown below) and created a shot that featured a mysterious handbag being lifted from the boot of the car by an equally mysterious figure – hopefully generating audience suspicion and wanting them to question who the mysterious figure is and what is in the bag.



We decided however whereas the shot in Jackie Brown had the backdrop of a nights sky. We would fill the background of our shot with powerful natural light. We did this to enforce the idea that the natural light is acting very much like a halo over the mysterious figure suggesting she believes she is invincible while also giving the effect that the bag she is collecting has been masked in darkness and mystery

2) How does your media product represent particular social groups?


As mentioned in the above paragraph, we took a lot of inspiration from "Jackie Brown" and "Inglorious Bastards" which both contrast to gender stereotyping and put woman very much in control of the situation. With our character Grace Jones, we wanted to ensure she was masked in mystery and felt dominant over those she approached but we also wanted her to be just a small part of a far greater hierarchy. Using dark black clothing we presented Grace as someone who wanted to slip into the background, unnoticed but also someone who was very much in control of the way they acted. We used pink high heel shoes to suggest she still had a seductive, youthful essence about her - contrasting to her otherwise all black outfit. Furthermore we ensured that her face was never shown during the production, this was used to reinforce the idea that she wanted to remain anonymous and isolated from the rest of the world. It could be argued that for the above reasons Grace Jones is not a generic Femmefatale. She is indeed ill - fated due to her nasty run in with the dominant male figure at the end of the product, but we did not want to present her as a sexual figure. We wanted to tell the audience she could easily dominate those who stood in her way but also intended to lurk in the background and out of sight. Constrating to Grace we presented the second key character of the film to be far less dominant and far more innocent. The shop assistant played by Samuel Cameron was used as a way of suggesting the blissful unawareness of those around Grace. We wanted to present the male figure - who would often be seen as the dominant one - as being off guard and somewhat clueless of the events around him. We took inspiration from characters such as "Derek" in "London To Brighton" who were part of much bigger plans and who lacked much knowledge about what they were in for. Our final important character was based strongly on accepted (accepted meaning more in tune with mainstream generic presentation) stereotyping of modern society. The suited male featured very late on in our production, who lays in wait for Grace to commit her murderous act, was a way for us to suggest that even in the world of Grace Jones men could still overpower and outwit the most deviant of woman. For this character we took inspiration from famous Gangster type roles such as "The Godfather's" Don Corleone.


3) What kind of media institution might distribute your media product and why?


Upon researching media institutions we discovered how sites such as Youtube make sharing independent projects far easier and cheaper than in the past. Youtube offers a way for millions of people to view and share videos all over the world. We realised how uploading our thriller film to Youtube would potentially allow it to be viewed by an infinite amount of people. We also discovered how uploading a video to youtube allowed friends and family to share the film on social networking sites such as Facebook while also being able to download the file onto personal memory sticks and upload it to anywhere they wanted. For funding we researched into how certain sites such as Filmproposals.com offer special ways of acquiring funds for independent film makers. Furthermore we also looked into how companies such as "Working Title" could potentially allow films such as our own to be developed into full length feature films. The internet as mentioned earlier however is most probably the best choice for a film like ours. With Twitter, Facebook, Blogs and various other social networking capabilities the internet allows for short films to generate vast amount of public knowledge and interest through word of mouth and file sharing. The internet means people from all over the world can view and discuss certain media products and contact the developers with ideas or even contracts into turning short films into full length feature movies. Finally we looked at how once a film has been projected into the public domain, how DVD's can be created and sold to generate profit and further awareness of such projects.

4) would be the audience for your media product?

Thriller films are usually targeted at older and more mature demographics. This is mainly due to such films containing graphic violence, complicated plot twists and harsher language. We believe that our film would also fit into this demographic. Our film in its short two minutes contained murder and robbery and therefore would not be aimed at a younger generation, instead we would attempt to attract an audience of around 17+. We would want people to understand the twists and turns of our plot while also being able to enjoy the film without fear of violence or gritty drama. Upon research, where we showed various thriller films including "Flightplan" and "Panic Room" to an audience of people aged 17+ we discovered how they found the films to be engaging and enjoyable. We would not expect this result from children aged below the age of 15 who would most probably not understand some of the complex storyline and who would most definitely not enjoy graphic violence and foul language. We would also hope our product would be enjoyed by adults aged above 30-40. We believe that through the empowerment of woman in our film and the use of sinister and mysterious appeal we would be able to both attract men and woman audiences. Finally due to our inspiration from films such as "London To Brighton" where we are presented with a gritty and disturbed city scape and TV Dramas such as "Spooks" where again we are shown gritty and isolated characters, hopefully means we would attract similar audiences who would watch these kind of programs.

5) How did you attract/address your audience?

After the completion of our film we decided to give the finished product to the year 13 students to critically review. We sent the film to around 10 students who each filled in an individual questionnaire. Upon receiving the questionnaires back we discovered how some elements of the film were repeatedly commented on. One such example was where nearly every student advised we remove our original murder scene. Many of the students argued that the scene was not up to the standard of the rest of the film using words such as "fake". After receiving the feedback we decided it would be best to remove this scene and consequently added a few changes which should indeed make the scene feel more real and keep it in line with the rest of the production. Furthermore we were told about how the lighting in the scene involving Grave Jones's decent into the basement was not up to scratch and made it very hard for the viewer to understand what was going on. Again we decided it would be best to reshoot the scene to ensure the overall film was not damaged due to a key part of the production being hard to understand. Happily we also recieved a lot of positive feedback from those who reviewed our film. Many people really enjoyed the cliff hanger at the end commenting that they wanted to know "what happens next" this pleased us greatly due to this being exactly what we wanted to achieve with our production. Finally we were also pleased that the soundtrack was also a major attraction to our piece. Many people commented on how although maybe slightly light hearted it made the piece enjoyable and added to the sense of mystery. The soundtrack was a very important choice for us as we knew it could dramatically change the whole environment of the production. Were we to choose something like jazz, Grace Jones's whole appeal would have changed due to the audience believing she was far more seductive and sexy; this was something we did not want to happen.

"To me, movies and music go hand in hand. When I'm writing a script, one of the first things I do is find the music I'm going to play for the opening sequence." - Quentin Tarantino

6) What have you learnt about technologies from the process of constructing this product?

From admittedly being quite new to using media technology at the start of the year I believe I have learnt a great deal from creating our thriller product. Firstly through the use of digital cameras I have begun to develop my understanding for different shot types and angles. Learning about how tilt shots can represent feelings of unease and nauseousness allowed me to show a characters emotion through a simple shot rather than speech or action. Furthermore learning about how high angle and low angle shots represent superiority allowed me to again show the dominance of one character and the weakness of another. Through our narrative structure I was able to use a range of different shots including tracking and over the shoulder to show the movement of Grace Jones as she approached and entered the shop. I was also able to use close ups of her red painted nails to show generic signifiers when referring to the femmefatale. Finally I also used the camera to capture shadows that were projected on the wall - showing her high heels walking down the steps and her knife coming down on the unsuspecting shop assistant. As well as getting used to various camera shots and the camera itself I was also able to develop my understanding of how to edit and export the finished film. I was able to learn how to cut and paste various clips into position and how to add diegetic and non-diegetic sound onto the product. Furthermore I was able to use cross dissolves to merge clips together making them much more fluid than they would have been if they were to simply jump from one clip to another. Finally I was able to add titles and cast names to the finished product where appropriate so that they would not distract the audience or disrupt the ongoing film.

7) Looking back on you preliminary task, what do you feel you have learnt in the progression from it to the full product?

It is now obvious how the preliminary task allowed me to develop my ideas and camera shots into a far more productive and engaging piece of film. Through learning about the 180 degree rule and getting used to various camera movements the preliminary task taught me much about how difficult filming can be. Through making mistakes in the prelim task, such as using a soundtrack that doesn't fit with the film and dodgy editing I was able to develop my understanding of both equipment and the thriller genre itself. A major problem discovered during the preliminary task was how one mistake could lead to a full reshoot being needed during the editing phase. This prepared us later on when we began our final production as we knew we would have to take multiple shots of each scene to ensure we did not make any dramatic errors. Furthermore we learnt how extremely important lighting is during a film and how lack of lighting can result in continuous reshoots being needed. The progression from preliminary task to final cut has been a huge leap. We spent a lot more time on the editing ensuring everything ran smoothly without a hitch, as well as ensuring the soundtrack was appropriate and that a range of camera shots were used to ensure a smooth and enjoyable film. Personally making the film has been very demanding. From the almost complete change of original idea during the first few weeks of filming to having to travel to and from various destinations during weekends and weekdays the filming has been tough but great fun. The weather has played a major role during some of our shoots making continuity a very big problem, but after weeks of editing we have created something that I believe everyone in our group is proud of. Some of the criticisms have been hard to take, due to spending several hours on certain scenes only to be told they need to be completely reshot. With the final feedback given however, I believe we have created a film that meets the target demographics' needs and that will entertain those who watch it.


Wednesday, 7 April 2010

Inglorious Bastards Essay

"Inglorious Bastards" Essay





Original Thriller Storyboard

Original Storyboard Ideas


Here is the original storyboarded idea for our thriller film. The storyboard shows our first piece of planning, which differs greatly from our final thriller outcome. As you can see we kept various generic elements from this idea and used them in our final film. These generic elements include the use of the car boot (particularly a mid shot which features in our final cut) and the use of a femmefatale.

The original idea dramatically changed when we gained a new member to the group and were able to merge our ideas together. This would lead to us creating an idea based around a small shop and basement rather than a large shopping mall. We chose to change the location of our idea due to believing the new location had far more villainous appeal than the initial location. Furthermore, along with new location we introduced new characters and changed the plot heavily to further the feeling of tension and thrill.

Friday, 2 April 2010

Preliminary Task



Here is our preliminary task. The task itself was filmed inside the City of Norwich School and was a way for us to practice various camera shots and distances. We also had to focus on the 180 degree rule. I was generally very pleased with the final outcome, and especially like the shot of the feet climbing up the stairs. Seeing as for some of us this was our first use of a recording camera I believe the outcome of the preliminary task was successful and helped us gain confidence with using both the camera itself and various shot types in our final productions.

Wednesday, 17 March 2010

Kick - Ass

"Kick - Ass"
Director - Matthew Vaughn

From the director of "Stardust" and "The Layer Cake" who also produced iconic british films such as "Lock Stock" and "Snatch" comes the low budget picture - "kick Ass"


I first noticed Kick - Ass back last month when Emprie magazine ran a special article section dedicated to the film. The film at first glance looked average, it had a few recogniseable faces - these being Nicholas Cage, Mark Strong and Christopher Mintz - Plasse, but I must admit I just assumed the film was trying to be a funny version of Watchmen - and would most likely fail. After the first 15 minutes of the film however. I realised I was very wrong!

Friday morning I watched an interview with the Films director and writer Matthew Vaughn, where he explained the various elements of the film, and how the film was actually a low budget British film. With all the recent independent film research we have been doing in class. I thought "Kick Ass" would be well worth a watch.

Lucky enough we were able to grab some advanced screening tickets and on Friday 26th of March at 8:30 we were plunged into the world of "Kick - Ass"

The film started much as expected, the odd gag here and there, with a fimiliar British face around every corner. Infact the first 20minutes of the film was like watching a "Lock Stock and Two Smoking Barrels" reunion! The basis of the story was layed out and already it was clear the film had a lot of inspiration from comic books and graphic novels such as Batman and Watchmen.

Without giving to much away. It was about this point that the film could quite easily have become another low budget Superhero comedy destined for the 2010 Razzies. I mean the plot seems perfect for an awful film - Lonely Kid wants to become a super hero and fight crime, has no super powers but has the will to do so. I mean it hardly sounds like a thrilling ride.

What kick - Ass actually offered however was... just brilliance. All credit to the director and cast who turned the film into the best film experience ive seen in a very long time. Mark Strong who has been one of my favourite actors since RocknRolla continued his stretch of playing the baddy, this time playing the crime boss Frank D'Amico - a mix between Spiderman's King Pin and Brick Top played by Alan Ford in Guy Ritchie's "Snatch." Nicholas Cage as Big Daddy showed given the right script he is still able to play a pretty impressive supporting actor part and Chloe Moretz (Hit Girl) Aaron johnson (Kick - Ass) Christopher Mintz Plasse ( Red Mist ) all showed brilliant acting skill which stopped their characters becomming corny and boring.

The film itself featured some superb cinematography, one of the most noticeable scenes being a whole 5 minutes of complete darkness. The darkness only being broken by a comic book style flash everytime a gunshot went off. The scene was like watching a live Prodigy gig with all the strobe lighting but with the sound of gunshot fire entwined within. Furthermore the various comic book references - from Batman and the Joker - to Spiderman and Mary Jane suggested the film was also a homage to all the comic book greats of old and new.

Finaly when looking at the soundtrack used in the film, we can see how just about everything in "Kick - Ass" was brilliant. From the Prodigy - Omen that played during the early fight scenes to the classical soundtrack (which im sure i heared in "The Dark Knight") the music was perfect. It again made the film feel like a homage to other comic book movies while also keeping the film in a modern age - with the use of modern music.

All in all "Kick - Ass" was superb. A budget of only $28 million and a story line that should have been so corny, made "Kick - Ass" seem like it was destined for failure. However due to some superb acting, even better cinematography and brilliant directing "Kick - Ass" has to be one of my favourite films of the last few years. Lock Stock, Watchmen, Tarantino all rolled into one with a nice layer of british acting skill on top. there isnt really much more to say than...

GO SEE THIS FILM!

IMDB 8.7 / 10

Thursday, 11 March 2010

Thriller Audience Research

Thriller Research - Narrative

For the third section of audience research I decided to find out how narrative structure effects the way people view a thriller film and how different directors use different narrative structures to ensure their films have a unique storyline, and to what effect this has on the paying audience.

Quentin Tarantino is just one director who does not always use the conventional continuous narrative structure in the films he directs. Films like Resovoir Dogs and Inglorious Bastards use flashbacks to tell a past story of events that are occuring on the screen. Inglorious Bastards often used flashbacks to promote individual character storylines. In fact the start of the film is all sent many years in the past, to establish the setting and theme of whats to come.

I decided to ask family members about how this kind of narrative structure effects how they view a film, and then possibly use the findings as a way to choose the narrative structure of my own film.

When showing people various clips from Inglorious Bastards they mostly agreed that the use of the past narrative in the opening of the film was key into understanding the following storyline. Infact both men and woman agreed that without this part of the film there would most likeley be no film at all due to the way it explains the drive of the characters invovled to hunt each other down. Furthermore both agreed that when a flashback was used to promote the past storyline of a character - such as the "bear jew" - it was relatively pleasing due to a bit of back story being added to the continuous narrative.

Although flashbacks were seen as being generally pleasing, there were some problems with narratives that werent continuous especially from the female viewers. Sometimes the use of to many flashbacks, or indeed a narrative that jumps from time period to time period could be confusing and unhelpful. This lead to a lot of people getting bored of such films due to them having to constantly work out what was happening and who the scene was invovling.

The Research itself was interesting, Inglorious Bastards used a continuous narrative mixed with flashbacks to support the plot and was easy to follow, other films however such as "Vantage Point" which played a repeated narrative in the viewpoint of several people over and over again got rather tedious and irritating. Therefore I believe that it would be best to ensure the thriller I create has a continuous narrative, which could include flashbacks - rather than a narrative that confuses and irritates the audience.

Tuesday, 9 March 2010

Thriller Audience Research

Thriller Research - Cinema Viewing of Thriller Films.

For my second piece of research I created a questionnaire to find out where people would expect to find thriller films being shown. For this I assembled a questionnaire of various Cinemas located inside Norwich and then asked people to tick which cinema would most be assosciated with which film and why.

The Thriller Films invovled in my questionnaire are as follows:

The Third Man
London To Brighton
Inside Man and Inside Man 2 (yet to be released)
Se7en

The Cinemas involved in my questionnaire are as follows:

Hollywood
Vue
Odeon
Cinema City

I myself would expect people to associate the bigger named thrillers in my list with mainstream cinemas and those that are either independent or seen as more cult films to be shown in independent cinemas.

The Results of the Questionnaire are as follows:

The Third Man and London To Brighton - Cinema City

Se7en and Inside Man - Vue, Odeon and Hollywood

As expected, most people agreed that those films that were either independent or that were released many years ago would only be shown in a cinema like Cinema City. This suggests that modern people associate "out dated" and low budget films with independent cinemas and that mainstream cinemas are just that. Mainstream. Furthermore most people agreed that a film like Se7en would of first have been shown in a mainstream theatre but due to it being "out dated" now it would most likely be shown again at a place like Cinema City due to its cult following.

Many people argued that Mainstream cinemas, being mainstream only show selected titles that are modern and expected to be a success. Independent films are slowly working there way into the odd showing at say Vue or Odeon but on the whole most people agreed that if a film like london To Brighton is shown it will only be avaliable at a cinema that is more driven by audience enjoyment than profit.

In my belief if my film was to be shown at a cinema it would be shown somewhere like Cinema City - an independent company that isnt afraid of showing something a bit edgy and out there. My film being low budget and featuring generic stereotypes fitting with independent thrillers would fit well with an audience that visited Cinema City but would probably not please those who visit a big name mainstream company such as Odeon or Vue.